Over the weekend, I watched the movie Primary Colors once again. While I liked the movie the first time I saw it, it has only grown on me and is now one of my favorite movies about politics.
The movie functions at three levels. First, it is most obviously an insightful and entertaining portrayal of Bill and Hillary Clinton, with an especially wonderful performance by John Travolta. Second, it gains richness when one considers it from the perspective of Obama's run against Hillary. In fact, I would love to see a new Joel Klein novel on this primary season. While Bill Clinton had that special talent to communicate with voters -- to make them believe "he felt their pain" -- Obama communicates even better than Clinton did.
But the deepest, and I think most important, level on which Primary Colors operates is the conflict between the ideal and practical in politics, especially as that conflict relates to support for a political leader. Every political movement needs a political leader. That leader must have the ability to communicate with the nation, to have the ideals of the political movement, to be competent at implementing the movement's political agenda, and to be able to hold the political coalition together. It is rare to find someone who has these abilities and who shares one's political principles. For me, that person was Ronald Reagan. In the current election, clearly many Democrats view Obama in that way.
The search for the right political leader is a bit like the search for a mate. If one is not attached to an existing candidate, one is constantly looking for someone who might be the one. As one sees someone with potential, one's excitement builds. But then one has to deal with the inevitable disappointments.
Merely because one's candidate has made some mistakes and done some bad things does not mean that one stops supporting him or her. One certainly feels a conflict about the disappointment -- and if one is honest one has to deal with the deficiency of that leader privately (that is, among fellow supporters) -- but one is not likely to criticize that leader in public (that is, in front of the opposition).
Primary Colors well captures this aspect of politics. The George Stephanopoulis and Betsy Wright characters are interesting contrasts. The former seems to accept the imperfections of the real world. The latter kills herself when her "love" does not meet her expectations. Put me in the category of the former.
So I certainly understand the desire of Obama supporters to minimize the negative aspects of his history. (What I can't understand is their support for his policies, but that is another story.) In this election, where I don't have a candidate, one especially feels lonely. But once one accepts that the need for going it alone, it can be -- as with the absence of romance -- liberating. One can watch from the sidelines and be objective. No heat, only light.
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Tom Smith
Tom Smith
Mike Rappaport
Tom Smith
Tom Smith
Mike Rappaport
Mike Rappaport
Mike Rappaport
Mike Rappaport
Mike Rappaport